#Son of saul showing movie
(The movie is loosely built around the fact-based Sonderkommando rebellion at Auschwitz-Birkenau in 1944.) So, in between their grueling, macabre duties of dragging bodies and shoveling ashes into the nearby river, they plot to build a bomb and rise up against their captors. Saul and the other Sonderkommandos realize the clock has almost run out for them. They also know they’ll ultimately be liquidated on a schedule run as precisely as everything else at Auschwitz. In exchange for the horrific work, these men get a few privileges, like more food than other inmates. That’s the name for the inmate workers assigned to dispose of the bodies of other captives. We soon see these people again, naked, gassed to death, dragged along slick concrete floors toward the ovens by Saul and his fellow Sonderkommandos. “Hurry up, or the soup will get cold,” these new arrivals are told by camp guards - a lie even crueler than the indifference of nature. (That springtime, in all its tender promise, unfolds obliviously in the woodlands that surround the concentration camp’s horrors feels like a bitter cosmic joke.) We follow Saul into a welter of confusion as men, women and children spill from trains and are marched to a nearby structure with the promise of a nice warm shower, then a meal.
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In the opening moments, the middle-aged Auschwitz prisoner Saul (Géza Röhrig) swims into view from an out-of-focus background of greenery. It grabs us by the neck, almost literally, steering us into the belly of living nightmare.
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The motto over the gate of Auschwitz read “Arbeit macht frei,” or “Work Sets You Free.” We now know that the non-literal but truer translation was “Welcome to Hell.” The Hungarian film Son of Saul takes us there in an intimate fashion. Son of Saul is set inside Auschwitz during World War II.